Tutorial · 13 October 2026

How to add rim light in Photoshop, and remove the halo

A rim light is the thin line of light along the edge of a subject, from a light behind them. It lifts a person off the background. Here are two ways to add one, and how to fix the halo it can leave.

By Pouya Eti5 min read Updated 14 October 2026

What is a rim light?

On a set, a rim light (some call it a kicker) stands behind the subject, off to one side, and points back towards them. It lights the edge of the hair, the shoulders and the side of the face, and leaves the front alone. Put one on each side and you outline the whole figure. A warm rim against a cool backdrop is one of the quickest ways to make a portrait look professionally lit.

A portrait with two warm rim lights outlining the man's hair and shoulders against a blue backdrop
Two warm rim lights, one lifted to catch the hair.

Method 1: paint it with Color Dodge

This is the classic way, and it works in any version of Photoshop:

  1. Add a new layer above the photo and set its blend mode to Color Dodge.
  2. Pick a soft round brush at a low opacity, 5 to 10%, and a warm colour.
  3. Paint along the edges that would face the light: the hair, the ear, the shoulder. Build it up in a few passes.
  4. Lower the layer's opacity until it looks natural, and mask anything that spilled onto the background.

The catch: you are drawing the light by hand, edge by edge, and it rarely follows the shape the way a real light does. Move the light, and you paint it all again.

Method 2: place a real rim light with Lightsmith

Lightsmith, the light studio in my Radbin plugin, lights the photo from its depth and shape, so a rim light follows the outline by itself. Watch it in the video (5:08)

  1. Open the photo, then in Radbin go to Enhance → Lightsmith → Open the studio.
  2. Click Add light → Rim, or start from the Rim setup, which already has two.
  3. Drag the light to the side you want. A rim light sits behind the subject; use Place (Behind, Side, Front) or the Behind ↔ Front slider to move it. Everything moves live.
  4. Turn the Temperature warmer (I used about 3,450 K) and lower the Brightness until the edge glows rather than burns.
  5. For light on the hair, click Duplicate and move the copy up, above the head and a little to the front.
  6. Under Output choose One per light, and click Apply (2 credits).
A rim light in Lightsmith placed behind the subject, with Place set to Behind and a warm temperature
A rim light behind him, warmed up.
A duplicated rim light above the head in Lightsmith, adding warm light to the hair
A copy, lifted for the hair.

How to remove the halo

A strong rim light can leave a thin bright halo where the subject meets the background, especially round fabric and fine hair. With one layer per light it is a one-minute fix: watch me fix it (10:05).

  1. In the Layers panel, open the Lightsmith folder and select the rim light's layer.
  2. Click Add layer mask.
  3. Take the brush at 100% opacity, set the colour to black, and paint over the halo.
  4. Do the same on the other rim light's layer if it left one too.
A close-up of the bright halo a rim light left along the shoulder of a jacket
The halo, zoomed in, before the mask.
The Layers panel after Lightsmith: a folder with a layer for each rim light, the backdrop light, the key light and a base layer
Each light on its own layer, ready for a mask.

Because each light is on its own layer, you can also change a rim light's colour later with Hue/Saturation, or lower its opacity, without touching the others.

The final portrait after masking: warm rim light on the hair and shoulders, no halo, a blue backdrop
The finished portrait, halo gone.

Place rim lights live inside Photoshop: free to try, 2 credits per result.

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Rim light tips

  • Keep it behind. Bring a rim light too far forward and it becomes a side light.
  • Warm rim, cool key, or the other way round. The contrast is what makes it read.
  • A darker background shows it best. On a bright one, turn down the background light or use Darken backdrop.
  • Light the hair separately with a raised copy of the rim.
  • Check the edges at 100% before you deliver. A halo you can't see zoomed out shows in print.

These rim lights come from my full tutorial: how to relight any photo in Photoshop. Every Lightsmith control is in the guide.

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Lightsmith is on Radbin's Enhance tab, next to 13 other tools and eleven image models. Trying lights is free, and a result costs 2 credits.

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Questions people ask

What is rim light in photography?
Light from behind the subject that lights their outline: the hair, the shoulders and the edge of the face. It separates the subject from the background.
How do I add rim light in Photoshop?
Paint it on a Color Dodge layer with a soft, low-opacity brush along the edges, or place a rim light with a relighting tool such as Lightsmith in the Radbin plugin, which follows the subject's outline by itself.
Why is there a halo around my subject after adding rim light?
A strong rim brightens the edge where the subject meets the background, and the brightening can spill a few pixels past it. Mask it out on the rim light's own layer with a black brush.
Can I change the rim light's colour later?
Yes, if each light is on its own layer. Use Hue/Saturation on that layer, or lower its opacity.
What colour should a rim light be?
Warmer than the key light is a classic choice for portraits, around 3,000 to 3,500 K. A cool rim works too. What matters is the contrast with the key light and the backdrop.
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