Comparison · 13 October 2026

Photoshop Relight vs Lightsmith: which one should you use?

Photoshop Relight is one of the most searched Photoshop features right now, and it is still in the beta. I make Lightsmith, a relighting studio in my own plugin, so this comparison comes with a bias, and with screenshots so you can check every claim.

By Pouya Eti7 min read Updated 14 October 2026

The short answer. If you already use the Photoshop beta and have generative credits to spend, try Relight on a portrait: it is built in. If you want to see the light move while you place it, light the subject and the backdrop separately, relight buildings and rooms, or edit each light afterwards, Lightsmith does more. It works in regular Photoshop, and a result costs 2 credits.

Side by side

Photoshop RelightLightsmith
Where it runsThe Photoshop beta onlyRegular Photoshop 2025 (26.0) or newer, with the Radbin plugin
How you startLayer → New Relight LayerEnhance tab → Lightsmith → Open the studio
While you adjustA low-resolution preview. In my test, each change took 6 to 10 seconds to showLive: the lights move as you drag them
Kinds of lightOne kind, which you can add more ofSix: soft light, spot, sun, rim, backdrop and glow
Shaping the lightIntensity and Diffusion slidersEight modifiers, from bare bulb and beauty dish to grid and snoot, plus softness
What a light falls onThe image as a wholeAll, the subject only, or the backdrop only
Where to startAn empty Relight layerSetups for portraits, products, rooms and buildings, and your own saved ones
What you get backOne Relight layerOne layer, or one layer per light in a folder
What it costsPreviews are free. Each click on Done costs 30 generative creditsTrying is free. A result costs 2 Radbin credits
How the light is madeGenerative AI takes out the old light and draws new lightComputed from the photo's depth and surfaces. Your pixels stay

Relight's details are from my own test in the current beta and from Fstoppers' review (4 October 2026). The beta changes often, so check your version.

Photoshop Relight: what it does well, and where it struggles

You open it from Layer → New Relight Layer in the beta. You get a light you can drag on the photo, a colour from 1,000 K to 9,000 K or a custom one, intensity, diffusion, a close or far setting, and an Original lighting slider that takes the photo's own light out.

Photoshop's Relight in the Photoshop beta: a portrait with two light handles and the Relight properties panel with colour temperatures, intensity, diffusion and original lighting
Photoshop Relight in the beta. The bar at the top says it: a low-resolution preview, full detail when you click Done.

What it does well:

  • It is built in. No plugin, nothing to install, if you are already on the beta.
  • It can take the old light out. Generative AI removes the photo's original lighting and draws new light, which can look natural on a portrait with a clear subject.
  • Previews are free. You can try ideas before you spend anything.

Where it struggles, from my test and Fstoppers' review:

  • Beta only. Not in the Photoshop you use for client work, for now.
  • A wait after every change. In my test, 6 to 10 seconds each time I moved a light or changed a setting, and the final render can look different from the preview.
  • One kind of light, on the whole image. I found no way to light only the backdrop.
  • 30 generative credits per Done. Change a light and click Done again, and it costs another 30.
  • Softer detail. Fstoppers found fine hair and texture softer than in the original, and outdoor scenes lit more like a flashlight than like sunlight.

Lightsmith: what it does differently

Lightsmith reads your photo once, which takes 10 to 30 seconds: its depth, which way each surface faces, where the subject ends, and what is in it. Then it computes the light on your own computer, so the lights move live and the parts of the photo they don't touch stay exactly as shot.

  • Live lights. Drag a light and see it fall, with no loading.
  • Six kinds of light, eight modifiers. Soft light, spot, sun, rim, backdrop and glow, shaped with a softbox, umbrella, beauty dish, grid, snoot and more.
  • Subject, backdrop or both. Every light can light only the person, only the wall, or everything.
  • It knows the scene. A portrait gets 25 setups; a building gets Golden hour, Night and Moonlight. On a villa, a light aimed at the wall showed up in the pool's reflection, and a Glow light lit only the water.
  • One layer per light. Mask a halo or recolour one light after you apply, without touching the others.
Radbin's Lightsmith in Photoshop: a portrait with a key light, two rim lights and a backdrop light, and the settings of the selected light
Lightsmith: four lights, each with its own settings.

The same kind of portrait, in Lightsmith

In my new tutorial I start with Relight in the beta, then build a full setup in Lightsmith: a key light on the subject only, two warm rim lights with one lifted for the hair, and a backdrop light. After applying it one layer per light, I masked out a halo on the rim layers and recoloured the wall. The video starts at the Relight part.

A portrait relit in Lightsmith: warm rim light on a man in a blue blazer against a blue backdrop
The Lightsmith result.
The same portrait with the backdrop light recoloured to lilac on its own layer
One light recoloured afterwards, on its own layer.

I also put the two side by side on the same photo in an earlier video: Photoshop Relight vs Radbin Lightsmith: I tested both.

Try Lightsmith in regular Photoshop: free to try, 2 credits per result.

Get Radbin

Which one should you use?

  • You are on the Photoshop beta, have generative credits, and light a portrait now and then: try Relight first. It is right there.
  • You want to see the light while you place it: Lightsmith.
  • You light buildings, rooms or products: Lightsmith, with setups for each and lights that reflect in water.
  • You need to change one light later, or mask a halo: Lightsmith, with one layer per light.
  • You work in regular Photoshop: Lightsmith, since Relight is beta only for now.

My verdict

Relight is a good start from Adobe, and generative relighting will keep getting better. For everyday work today, I want lights I can see, place and edit, in the Photoshop I already use. That is why I built Lightsmith. If you try both, I would like to know which one you kept: tell me in the YouTube comments.

Ready to try it? Follow the step-by-step tutorial, or read the Lightsmith guide.

Radbin for Photoshop

Relight your own photos inside Photoshop

Lightsmith is on Radbin's Enhance tab, next to 13 other tools and eleven image models. Trying lights is free, and a result costs 2 credits.

Get Radbin · from $9.97/mo Cancel anytime · Charged only for results

Watch Radbin on YouTube

Real tests and tutorials, all inside Photoshop. See the whole channel.

Questions people ask

Is Photoshop Relight free?
The previews are. According to Fstoppers' review, clicking Done renders the result at your document size and uses 30 generative credits, and changing the lights and clicking Done again uses another 30.
Do I need the Photoshop beta for Relight?
At the time of writing, yes. Relight is in the Photoshop beta, under Layer → New Relight Layer.
Is there an alternative to Photoshop Relight for regular Photoshop?
Yes. Lightsmith, in the Radbin plugin, works in Photoshop 2025 (26.0) and newer. The lights move live, and you can apply the result as one layer per light.
Can Photoshop Relight light only the background?
In my test I found no setting for that: a Relight light lights the image as a whole. In Lightsmith every light can light the subject only, the backdrop only, or both, and there is a Backdrop light for the wall.
Which is better for buildings and landscapes?
Lightsmith. It recognises an exterior, offers setups like Golden hour, Night and Moonlight, and reflects your lights in water. Fstoppers found that Relight lit a landscape more like a flashlight than like sunlight.
Is Lightsmith generative AI?
Not for the light. AI reads the photo once to learn its depth, its surfaces and what is in it. The light is computed on your computer, and the parts it does not touch stay as shot.
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